In part one and two of our Judaism and The Blues series, Rabbi Mark Borovitz weighed in his thoughts the relation between the two as emotions and concepts. In part three below, Beit T’Shuvah musical director James Fuchs discusses and illustrates the musical similarities between the two, as well as pointing out the parallels of their origins.
Monthly Archives: November 2013
By Stephanie Lager and Matthew Greenwald
There is a current trend permeating today’s youth culture. It is alarming to some, and ridiculous to others. It’s not quite a drug epidemic, but it might be the next addictive, mind altering component on the minds of curious teenagers. But you can’t get it from a drug dealer; it’s digital. In a nutshell, digital drugs are 10-30 minute tracks of sound, music and white noise, which claim to be designed to induce states of altered consciousness, mirroring those of drugs such as Psychedelics, Ambien, Marijuana and others. For a fee (usually $10-20, but “the first one’s free”) tracks are available on sites such as I-doser. Unsurprisingly, the whole “first one’s free” marketing ploy effectively mirrors how kids experiment with drugs in the first place, with the unable to turn down offer of “just try it—it’s free!”
We decided to give these “digital drugs” a try and see what all the buzz, or lack there of, is about. We didn’t listen to a complete track, and this type of “high” may only be effective if listened to in its entirety, but all in all, we didn’t quite get it.
In some circles, however, it’s being taken as a potentially serious problem. “Kids are going to flock to these sites just to see what it is about and it can lead them to other places,” Oklahoma Bureau of Narcotics and Dangerous Drugs spokesman Mark Woodward said according to Wired on-line. Oklahoma’s Mustang Public School district isn’t taking the threat lightly; they sent out a letter to parents warning them of the new craze. The educators have gone so far as to ban iPods at school, in hopes of preventing honor students from becoming cyber-drug fiends.
Whether digital drugs is a mere consequence of the placebo effect, or actually capable of concrete changes in the human body, is hard to prove or disprove. What is possible though is the extensive power of the mind in conjunction with the often-underestimated power that music can produce, at producing altered mental states.
Most people can attest to the insane power of music—feeling transported, riding on a roller-coaster of emotions, or inspiring a piece of art. But can music also produce harmful consequences? Is it akin to a drug, and if used dangerously, might it lead to disastrous results? Clearly, that is an overreaching claim, but it’s important to remember that these digital drugs might not fit into the traditional “music” categorization. Digital drugs are more of a compilation of sounds, with no harmony, rhythm, musical instruments, or vocals. What digital drugs seem most effective at doing is capturing a part of the sensation one might feel on drugs. For example, the LSD soundtrack featured a ringing in your ear sensation, which parallels one of the sensations one might experience on psychedelics.
In our opinion, you don’t have to fear any real results. Yet, there is something to be said about our digital obsessed social world. If you over use anything, it can morph into an addiction and take over your entire life, effectively making it just as destructive as a real substance addiction. So, proceed with caution. See for yourself. Do you think digital drugs will rise as the new substance addiction plaguing our youth?
By Stephanie Lager
In writing our Judaism and the Arts blog we didn’t need to look far to find the perfect topic for our next post. Beit T’Shuvah’s very own creation, Freedom Song, has been exploring performance art as a way to engage audiences with the relatable feelings of addiction, family dysfunction, and personal slavery in a side-by-side musical presentation of an A.A. meeting and a Passover Seder. The three-act play’s cast is made up of Beit T’Shuvah residents, alumni, and staff members, which culminates in a Q & A session that ties the whole performance together.
Jessica Fischel, the show’s coordinator and an associate of Beit T’Shuvah’s Prevention department, weighs in on why she is so passionate about promoting Freedom Song. Even though Freedom Song performs for audiences as young as 7th graders Jessica says, “I’ve never spoken to a kid that didn’t relate to someone in the play. Everyone can see a bit of themselves and their family on that stage, regardless of being an addict or not.”
Jessica gets the most pleasure from witnessing firsthand the impact Freedom Song has on everyone that sees it, from people coming up to her after a show, seeing audience members’ eyes well up with tears, and receiving letters that attempt to put into words the profound impact it had on their life as they realize that they aren’t alone.
With a constantly changing cast, Laura Bagish, the show’s director, announces current updates and reflects on what we can expect from this profoundly moving performance.
With almost all new cast members, Freedom Song is preparing for their first new show on November 13th at 5:30 p.m. at the Jewish Federation, which is open to the public.
In response to the new cast, “It’s a process for me, starting over with a new cast each time. For me, to have new people that are enthusiastic, makes me enthusiastic, and helps me keep it fresh,” Laura says.
On being the director, “It’s taught me patience; I hadn’t a lot of acting experience before, and being the director for the last few years has taught me a lot of how to bring the best out of people, and how to be brave and overcome your fears.”
We also had the distinct pleasure of interviewing one of the newest cast members, Shayna Aken, and picked her brain as to why she decided to join the cast.
Eager to express her enthusiasm, Shayna explains, “I joined Freedom Song because I really want to stay sober, and do it by being connected to the community. I used to act in plays and theater when I was younger, and I also wanted to get back to that part of myself—the real me—while I’m at Beit T’Shuvah. It was like I forgot my passion, and what I really like to do, and how I define myself.
On how it helps her: “The play helps me in my recovery by being accountable, and having a commitment. The other people in the play count on me to be there, and that’s really important in terms of my recovery. In a way, it’s like having a smaller community within the Beit T’Shuvah community that I can have a connection and camaraderie with—we’re doing something in the real world together, a true team effort.”
On the character she plays: “It’s funny that I actually play a character that I have the same name as, and it’s a woman who’s really been through it: she’s had abusive relationships, and she’s working in recovery. She doesn’t have a lot of sober time, but she’s already helping the newcomer, and she stands up for herself. And I like that very, very much. It certainly mirrors my life; I can relate to it a lot.”
We are thrilled to announce the upcoming performance from this new group of cast members on November 13th at 5:30 p.m. at the Jewish Federation. If you haven’t seen Freedom Song yet, you’re not just missing out on a part of our community, but a performance that will make you reflect on what you may be living as a slave to.